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Grand Union

Audiobook
2 of 2 copies available
2 of 2 copies available

Brought to you by Penguin.

The first ever collection of stories from the
Man Booker Prize-shortlisted author of Swing Time and White Teeth
'Zadie Smith is the best writer of our generation' Gary Shteyngart
'Her dialogue is pitch-perfect, her comic timing masterful... [And] she also delivers a sophisticated commentary on race, gender, class, celebrity and power' Telegraph on Swing Time
'Smith is virtuosic, as ever, on family and friendship, and her ability to write about large-scale social injustice without losing her neutral novelist's gaze is breathtaking' Times Literary Supplement on Swing Time
In the summer of 1959, an Antiguan immigrant in north west London lives the last day of his life, unknowingly caught in someone else's story of hate and division, resistance and revolt.
A mother looks back on her early forays into matters of the human heart - and other parts of the human body - considering the ways in which desire is always an act of negotiation, destruction, and self-invention.
A disgraced cop stands amid the broken shards of his life, unable to move forward into a future that holds no place for him.
Moral panic spreads like contagion through the upper echelons of New York City - and the cancelled people look disconcertingly like the rest of us.
A teenage scion of the technocratic elite chases spectres through a premium virtual reality, trailed by a little girl with a runny nose and no surviving family.
We all take a much-needed break from this mess, on a package holiday where the pool's electric blue is ceaselessly replenished, while political and environmental collapse happen far away, to someone else.
Interleaving ten completely new and unpublished stories with some of her best-loved pieces from the New Yorker and elsewhere, Zadie Smith presents a dizzyingly rich and varied collection of fiction. Moving exhilaratingly across genres and perspectives, from the historic to the vividly current to the slyly dystopian, Grand Union is a sharply alert and prescient collection about time and place, identity and rebirth, the persistent legacies that haunt our present selves and the uncanny futures that rush up to meet us.
This collection is narrated by Doc Brown, with the first and last story read by Zadie Smith.

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    • AudioFile Magazine
      Zadie Smith, who narrates the first and last of the 19 stories in her collection, vividly explores people's complex lives. This audiobook includes published pieces from THE NEW YORKER as well as new works. Smith's low pitch and English accent make this work sound calm and literary--as if she is narrating to a familiar audience. Doc Brown's narration of the other 17 stories is an entertaining ebb and flow of energy. He employs different accents and plays with pitch. There is a soulful moment when he transitions into singing and then naturally falls back into his speaking voice. He is musical and colloquial in specific stories like "Big Week" and "Meet the President." Brown's enjoyable narration adds to Smith's well-established reputation as a writer. T.E.C. © AudioFile 2019, Portland, Maine
    • Publisher's Weekly

      Starred review from August 12, 2019
      In Smith’s smart and bewitching story collection, the novelist’s first (after the essay collection Feel Free), the modern world is refracted in ways that are both playful and rigorous, formally experimental and socially aware. A drag queen struggles with aging in “Miss Adele Amidst the Corsets” as she misses the “fabled city of the past” now that “every soul on these streets was a stranger.” A child’s school worksheet spurs a humorous reassessment of storytelling itself in the postmodern “Parents’ Morning Epiphany.” “Two Men Arrive in a Village,” in which a violent duo invades a settlement, aspires to “perfection of parable.” Some stories, including “Just Right,” about a family in prewar Greenwich Village, and the sci-fi “Meet the President!,” in which a privileged boy meets a lower-class English girl, read more like exercises. But more surprising and rewarding are stories constructed of urban impressions and personal conversations, like “For the King,” in which the narrator meets an old friend for dinner in Paris. And the standout “The Canker” uses speculative tropes to reflect on the current political situation: people live harmoniously in storyteller Esorik’s island society, until the new mainland leader, the Usurper, inspires “rage” and the “breaking of all the cycles had ever known.” Smith exercises her range without losing her wry, slightly cynical humor. Readers of all tastes will find something memorable in this collection. Agent: Georgia Garrett, Rogers, Coleridge and White.

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  • English

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