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The Jewish Joke

An essay with examples (less essay, more examples)

ebook
1 of 1 copy available
1 of 1 copy available

'This book is funny, clever and, at times, heartbreaking. In other words, Jewish' David Baddiel
'[Baum is] intellectually luminous, psychologically penetrating, existentially anxious, and wonderfully funny' Zadie Smith
'Hilarious and thought-provoking' David Schneider
The Jewish joke is as old as Abraham, and like the Jews themselves it has wandered over the world, learned countless new languages, worked with a range of different materials, been performed in front of some pretty hostile crowds, but still retained its own distinctive identity. So what is it that animates the Jewish joke? Why are Jews so often thought of as 'funny'? And how old can a joke get?
The Jewish Joke is a brilliant - and very funny - riff on Jewish jokes, about what marks them apart from other jokes, why they are important to Jewish identity and how they work. Ranging from self-deprecation to anti-Semitism, politics to sex, it looks at the past of Jewish joking and asks whether the Jewish joke has a future. With jokes from Amy Schumer, Lena Dunham and Jerry Seinfeld, as well as Freud and Marx (Groucho mostly), this is both a compendium and a commentary, light-hearted and deeply insightful.

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    • Publisher's Weekly

      March 26, 2018
      Baum (Feeling Jewish), lecturer in English literature and critical theory at the University of Southampton, considers the history of Jewish humor in this cursory study. She begins with a brief exploration of humor within the Torah, recounting that the Zohar (“the foundational text of Jewish mysticism”) considered God’s command to Abraham to sacrifice Isaac “the biggest joke in the Hebrew Bible.” In an attempt to explain that bizarre assessment, she refers to the last-minute substitution of a ram for Isaac as a “classic switcheroo” that Abraham “really fell for,” and that showed God as “a prankster of the highest order.” She effectively considers the roles Jewish humor has played as a response to oppression and as a way to mock hypocrisy about religious observance, but other efforts aren’t as successful. For instance, her explanation of why Jackie Mason employed the simple repetition of the word “Jew” in his stand-up routine—because, for Mason and his audience, there isn’t “all that much of a difference between a Jew and a joke”—is insufficient. Her reliance on personages tainted by accusations of sexual misconduct (such as Woody Allen and Louis C.K.) also distracts from many of her points. Readers interested in Jewish wit will be better served by Jeremy Dauber’s Jewish Comedy or anthologies aiming just for laughs, such as The Big Book of Jewish Humor.

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  • OverDrive Read
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Languages

  • English

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